Archive for October, 2012

Final Fantasy 7: Advent Children musings

It’s ridiculously early and I’m back into the habit of putting off sleep again, for some unknown reason, so I thought I’d share a little of my ramblings.

Anyone who knows me knows I’m pretty into Final Fantasy 7, and being a student whose studies are part of the core of English Literature/Language, it’s natural for me to read into things and analyse them.

But here’s my thought process on a scene or two from the Final Fantasy 7: Advent children movie. Take it all with a pinch of salt, if you’re familiar with it; these are just my opinions. I really enjoy reading into the meaning and purpose behind FF7 and certain other games, just because they’re such a culturally rich and diverse text. It’s a little nerdy to say, but they’ve molded me as a person and helped me define some of my own values.

So, yes, if you’re into Japanese RPG’s, please do take a look.



A long, long, long, long, long, long, long, long, long time ago, I updated this blog. In a galaxy far away the same as your own, actually.

Anyhoo, I’m just popping in to ask for a favour from anyone still following this dusty little corner of the internet.

I’ve written a poem. Well, the bare bones of a poem. The skeletal frame. I’m not happy with it (it’s a first draft, of course I’m not going to be happy), and I feel like it’s too sappy and blah, so I was hoping you guys could possibly offer me some feedback on it. What don’t you like? Is there anything that should stay, or should I scrap it and start again? Now when I say bare bones, I mean I’ve written it, essentially, as prose. I haven’t properly considered how the lines are going to work, where there will be caesuras, enjambent, end stops, etc, whether there’ll be gaps. I want to try and fix what I have so far before I start working on that in detail.

Little bit of background information; it’s a class task. We’re to write about a place, researching it’s history so we have something to draw on. The technique I’m using is essentially different levels of what is visible. So from a certain height to a certain depth, the history in those levels, etc. Anyway, I’ll put the draft up here and hopefully someone might get back to me (I’ll send you an internet-cookie or something to show my gratitude).

Tentatively titled:  The Heavenly Prince and the Bear

You all but fell into my lap, God-sent on a day where clouds spiralled the city and knotted around my neck like a ribbon choker.

We climbed Namsan, lucky 777 high, crested its clear-skied peak to find our own space amongst millions of other stars, padlocking I’ll love you forever to the fence (but wasn’t love supposed to set us free?) and then tossing the key into a bin on the way down to the subway , the subway that would take us to Itaewon, to soak up culture like heart-shaped sponges, the subway that would take us to Jongno, to lose ourselves in the history of your ancestors, the subway that would take us to Gangnam, where I would spend my last 10,000 won bill on a cup of coffee and a one-shot espresso that would keep you up until 4am, tickling my ribs and dancing Gee until the apartment downstairs hammered on the ceiling.

Back onto the subway the morning after, always, another day another border, forever crossing the districts hand in hand. We were heart and soul, one and the same.

History repeated itself, our Seoul was sundered, fragmenting into Goguryeo, Baekje, and Silla.

History repeated itself, the unification looped us until we coagulated again, until we were one and the same, heart and soul.

And history repeated itself, until the skies took my Heavenly Prince back, your work here on earth among the peons done. I thought I would remain human when you left me behind, but I reverted. Back into that shambling walking-dead, hibernating my way through parts of the year and blustering with the world on a sore head the rest of the time. No heart, no soul.

If you check out this blog post, it might clear a few things up… About halfway down things might make more sense.